![]() ![]() Encouraged by those policies, and the ubiquity of digital cameras, more and more researchers are taking digital images as part of their research practices. Restrictions on the use of digital cameras in archives and libraries imposed when the technology first appeared have given way to policies allowing photography. Digital cameras have become ubiquitous in archives, as both archivists and researchers became more comfortable with the technology. I’m not the only researcher that needs Tropy. Tropy will change that, making it easy to attach source and descriptive information to individual images, to group images into collections, and to add notes to those images. As a result, they need to stay in those folders for me to keep track of their provenance, making it awkward to access and annotate them. ![]() My images are all carefully grouped in folders mirroring the case files and archival organization of their sources, but the individual images do not have that information in their file names. Having to travel from Australia to NYC and Washington, DC for research, and only being able to afford to stay for a week or two, made me an early convert to mass digitization in the archives. I first scanned and later photographed thousands of images of documents in about a decade of research for projects on 1920s and 1930s Harlem, and on undercover investigation in the early twentieth century. I’m excited about this project because it’s something I’ve needed for some time. Sean Takats and I are directing the project it is an idea that we first started talking about during my interview at GMU in 2013, and that has been shaped and refined through conversations with colleagues here at the Center since I arrived. Mellon Foundation, RRCHNM will be developing a software tool called Tropy to help researchers organize, describe and share the digital images they take in their research. I’m pleased to announced that thanks to a two-year, $600,000 grant from the Scholarly Communications Program of the Andrew W.
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